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EVENT

Niya B

Wednesday 10 May, 21:00

Ekdysis, 40’

Venue: MOMus-Experimental Center for the Arts

“Ekdysis’”-the biological term referring to the process of shedding the external layer of the skin in reptiles- is an ongoing project, which is displayed through performances, installations and video. In this iteration, Niya B engages with her own internalised toxicity and the elements of water and air in a ritual of shedding skin and letting go. During the performance Niya will create an ephemeral installation. 

Female subjectivities as well as nature are seen as wild and irrational under patriarchy, and thus have been subjugated and ‘tamed’ throughout his-tory. Misogynism and assumptions of feminine inferiority are embedded in Western culture, from antiquity to our present times. In her performance, Niya B works against the notion of linear time to trace back the oppression of the feminine. In this occasion, she uncovers an epigram attributed to 4th century Alexandrian poet Palladas, and she copies the words on each page of her diary. 

The text reads: “Homer showed that every woman is bad and dangerous,
chaste and harlot, both are destruction”.

MAP

VENUE

Museum of Byzantine Culture

Περισσότερα

Archaeological Museum of Thessaloniki

Περισσότερα

MOMus-Museum of Contemporary Art

Περισσότερα

MOMus-Museum of Modern Art

Περισσότερα

MOMus-Thessaloniki Museum of Photography

Περισσότερα

MOMus-Experimental Center for the Arts

Περισσότερα

MOMus-Museum Alex Mylona

Περισσότερα

Cultural Foundation of the National Bank

Περισσότερα

Islahane Cultural Venue – Hamidie former school of arts and crafts

Περισσότερα

Eptapyrgio

Περισσότερα

Yeni Jami

Περισσότερα

Glass Box “Sculptures’ Garden” (seefront area)

Περισσότερα

Museum of the Macedonian Struggle

Περισσότερα

Thessaloniki Concert Hall

Περισσότερα

Pasha’s Gardens

Περισσότερα
VIEW ALL LOCATIONS HERE

MAIN EXHIBITION

BEING AS COMMUNION

The central exhibition of the 8th Thessaloniki Biennial of Contemporary Art aims to think critically about co-existence and collaborative practices as creative tools for handling the multiple crises that we face. Thinking through being as communion, 28 artists via their respective practices touch on various forms of more than human collaborations, with our spectral past and our challenging present, thinking of how we can co-exist with animate life around us, the land that we stand on, the food that we eat and the air that we breathe. Being as Communion will focus on inclusive practices that explore different forms of care, love and mutuality, whilst also proposing generous forms of support systems. Invited artists and artist collectives will explore the human impact on the eco-systems that we share, whilst suggesting forms of more equitable existence, for humanimal survival, probing to what extent we can learn new ways of being with, rather than dominating the world around us.

Ten key sites and museums of the city of Thessaloniki will host the exhibition’s works, in dialogue with the city’s layered history, allowing for a polyphonic reading of the exhibition in ten equal parts.

04.03 –
21.05.2023

MOMus-Museum of Contemporary Art, Archaeological Museum of Thessaloniki, Museum of Byzantine Culture, National Bank of Greece Cultural Foundation, Hamidie – Islahane Cultural Venue, Eptapyrgio, Yeni Jami, Thessaloniki French Institute, Glass Box “Scultures’ Garden” (seefront area), Thessaloniki Concert Hall (building M2)

The central exhibition of the 8th Thessaloniki Biennial of Contemporary Art aims to think critically about co-existence and collaborative practices as creative tools for handling the multiple crises that we face. Thinking through being as communion, 28 artists via their respective practices touch on various forms of more than human collaborations, with our spectral past and our challenging present, thinking of how we can co-exist with animate life around us, the land that we stand on, the food that we eat and the air that we breathe. Being as Communion will focus on inclusive practices that explore different forms of care, love and mutuality, whilst also proposing generous forms of support systems. Invited artists and artist collectives will explore the human impact on the eco-systems that we share, whilst suggesting forms of more equitable existence, for humanimal survival, probing to what extent we can learn new ways of being with, rather than dominating the world around us.

Ten key sites and museums of the city of Thessaloniki will host the exhibition’s works, in dialogue with the city’s layered history, allowing for a polyphonic reading of the exhibition in ten equal parts.

Artists: Jumana Emil Abboud, Campus Νovel, Aslı Çavuşoğlu, Thanasis Chondros & Alexandra Katsiani, COYOTE, Cevdet Erek, Baruchello Gianfranco, Phoebe Giannisi, Piero  Gilardi, Akira Ikezoe, Vasso Katraki, Jumana Manna, Ahmed Morsi, Hira Nabi, Abraham Onoriode Oghobase, Yiannis  Papadopoulos, Alexandra Paperno, Angelo Plessas, Iva Radivojević, Kostas Roussakis, Corinne Silva, Panos  Sklavenitis, Sky Hopinka, Agnès Varda, Ana Vaz, Vessel (Navine G.Dossos and James Bridle), Paky Vlassopoulou, Bo Zheng

Curator: Maria-Thalia Carras

Assistant curators: Foteini Salvaridi & Manto Psarelli

Exhibition design: Evita Fanou

04.03 –
21.05.2023

MOMus-Museum of Contemporary Art, Archaeological Museum of Thessaloniki, Museum of Byzantine Culture, National Bank of Greece Cultural Foundation, Hamidie – Islahane Cultural Venue, Eptapyrgio, Yeni Jami, Thessaloniki French Institute, Glass Box “Scultures’ Garden” (seefront area), Thessaloniki Concert Hall (building M2)

Artists: Jumana Emil Abboud, Campus Νovel, Aslı Çavuşoğlu, Thanasis Chondros & Alexandra Katsiani, COYOTE, Cevdet Erek, Baruchello Gianfranco, Phoebe Giannisi, Piero  Gilardi, Akira Ikezoe, Vasso Katraki, Jumana Manna, Ahmed Morsi, Hira Nabi, Abraham Onoriode Oghobase, Yiannis  Papadopoulos, Alexandra Paperno, Angelo Plessas, Iva Radivojević, Kostas Roussakis, Corinne Silva, Panos  Sklavenitis, Sky Hopinka, Agnès Varda, Ana Vaz, Vessel (Navine G.Dossos and James Bridle), Paky Vlassopoulou, Bo Zheng

Curator: Maria-Thalia Carras

Assistant curators: Foteini Salvaridi & Manto Psarelli

Exhibition design: Evita Fanou

CHECK IT HERE

EXHIBITIONS

PROJECTS

MAIN EXHIBITION

04.03 –
21.05.2023

Περισσότερα

DOWN TO EARTH

09.02 –
30.04.2023

An exhibition collectively put together by curators of MOMus
Περισσότερα

NATURE TRACERS

21.12.2022 –
21.05.2023

ΜΟΜus-Museum of Modern Art-Costakis Collection
Περισσότερα

MAIN EXHIBITION

04.03 –
21.05.2023

Περισσότερα

DOWN TO EARTH

09.02 –
30.04.2023

An exhibition collectively put together by curators of MOMus
Περισσότερα

MAIN EXHIBITION

04.03 –
21.05.2023

Περισσότερα

DOWN TO EARTH

09.02 –
30.04.2023

An exhibition collectively put together by curators of MOMus
Περισσότερα

NATURE TRACERS

21.12.2022 –
21.05.2023

ΜΟΜus-Museum of Modern Art-Costakis Collection
Περισσότερα
VIEW ALL THE EXHIBITIONS HERE

BIENNALE 8

GEOCULTURA

The exchange of ideas, values and norms, within a context of a multitude of cultural, geographical and political debates and conflicts, is at the core of the concept of 'geoculture' in the political and social sciences. This is the rationale behind the decision of the 8th edition of Thessaloniki's Biennale of Contemporary Art to turn its attention to the terms 'land' (“geo-”) and 'culture', connecting the cultivation of land with culture, understood as a set of resources, texts and practices which are available to people, helping them better understand and more effectively act in the world. It explores issues of memory, history, and managing both the natural and man-made environment, under the conditions of the climate, economic and refugee crises.

The participating artists focus on histories of places and people; they touch upon issues of identity, ethics, equity and sustainability; they suggest improvised ecological technologies; they explore the potential for collective existence and question the systems by which production, consumption and profitability are organized; they put into practice ideas of resource sharing and equitable living, as well as ways of reassessing the commodification of human and non-human life. Through their works, imagination becomes a crucial factor in facilitating the audience to imagine different versions of the future.

Firmly believing that art broadens our understanding of the world, the 8th Biennale seeks not only to raise environmental awareness, but also to multiply future possibilities, with new claims and visions. The 8th Thessaloniki Biennale of Contemporary Art aspires to serve as a means of communication with the world, as an act of justice and freedom, of trust and progressive thinking.

The Thessaloniki Biennale of Contemporary Art is financed by Greece and the European Union (European Regional Development Fund) is organised by MOMus and implemented by MOMus-Museum of Contemporary Art-Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections.

The participating artists focus on histories of places and people; they touch upon issues of identity, ethics, equity and sustainability; they suggest improvised ecological technologies; they explore the potential for collective existence and question the systems by which production, consumption and profitability are organized; they put into practice ideas of resource sharing and equitable living, as well as ways of reassessing the commodification of human and non-human life. Through their works, imagination becomes a crucial factor in facilitating the audience to imagine different versions of the future.

Firmly believing that art broadens our understanding of the world, the 8th Biennale seeks not only to raise environmental awareness, but also to multiply future possibilities, with new claims and visions. The 8th Thessaloniki Biennale of Contemporary Art aspires to serve as a means of communication with the world, as an act of justice and freedom, of trust and progressive thinking.

The Thessaloniki Biennale of Contemporary Art is financed by Greece and the European Union (European Regional Development Fund) is organised by MOMus and implemented by MOMus-Museum of Contemporary Art-Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections.

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